Classic mode is said to be most similar to earlier Ozone limiting algorithms, while Modern and Transient modes are designed to provide greater clarity and detail (the latter specifically optimised for maximum transient preservation).Īll three modes sound exceptional - it's in the upper tier of limiters, for sure - and of course, you still have the Character slider, increasing or decreasing the speed of the overall Maximizer response time to help hone the sound. IRC IV can be switched between Classic, Modern and Transient modes. IRC IV will, for example, gently even out the frequency response of a kick drum that's too boomy, rather than let it distort the vocals or instruments when limited. ![]() You could think of it as a real-time frequency-flattener. Effectively, IRC IV makes spectral adjustments in response to the input signal's frequency spectrum in order to prevent peak frequencies causing unwanted distortions when limited. This works using a technology that iZotope call Spectral Shaping. Tube mode has variable attack and release times, and sounds great on transient material.įinally, Modern mode is the quickest, mixing analogue-style non-linearity with IRC limiting and transient reproduction - it's the least vibey mode of the three, but the most precise.Īlso new in Ozone 7 is a fourth IRC algorithm for the Maximizer module, aptly named IRC IV. Analog mode features a quick attack and variable release time that lets your bass breathe nicely. ![]() ![]() We found Vintage Limiter's three modes to offer more of a smooth, coloured sound than the existing Dynamics and Maximizer modules. First among Ozone 7's new modules is the Vintage Limiter, based on a Variable Mu design like the much-sought-after Fairchild 670, but not intended to specifically emulate that classic hardware.
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